Monday, 1 May 2017

Production: A Director's Perspective

Check out this short documentary by Robyn Keetley (with Teravis Ward on sound) about the shooting of 'Cleft Lip' (feature film), which I worked on as the cinematographer & assistant director.

The documentary is a follow up to the film I made about the Pre-Production process back in January ('Pre-Production: A Director's Perspective'

Wednesday, 19 April 2017

Man With A Cine-Cam Collection

Late last night, to celebrate my 32nd birthday, I released this new documentary about Ian Hudd and his collection of vintage cine-cameras.

As discussed in a previous post, as I started shooting this film in 2012, the project seemed destined to permanently sit on a hard-drive...thankfully, I've finally managed to pull it together and, as a result, Ian's passion, his hobby, his mannerisms, and his love of film will live on forever. RIP mate x

"Whenever I touch the cameras, I feel like I'm touching the past" 

Starring Ian Hudd. A Mark Duggan Film: Directed, Shot & Cut by Mark Duggan. Thanks to Alex Gilbert & Stuart Samuels.

Sunday, 5 March 2017

RIP Ian...

Yesterday I attended the funeral of Ian Hudd, who sadly passed away in February.

As well as being a friend, he was also involved in a number of my film projects. He was a behind-the-scenes photographer & crew member on 'The Eternal Cave' (2013), 'Windowpane' (2014) & 'Cuddling A Monster' (2015), as well as the practical effects technician on 'The Rabbit' (2015). The latter simply wouldn't have happened without him - I had no idea how to make a lifeless rabbit breathe again…but he did!

In 2015 I turned 30 but, unfortunately, I had a terrible start to the year. Subsequently my birthday meal had more significance than usual - it wasn't just "another year" or turning 30...and Ian, who I'd known for 6 years at that point, was one of the people good enough to turn up - a gesture that meant more than he probably realised.

A couple of weeks before my birthday, whilst driving to a location for 'The Rabbit', Ian told me that I had a real opportunity to be happy in my 30's. He went on to state that your 20's are full of nonsense, uncertainty, stress & heartbreak but that was now behind me & he'd love to live his 30's again, if given a second chance at one particular decade…I don't know how true that was (he seemed to love his teen mod days) but I think he knew that I needed to hear those words at that moment in time. I won't forget that conversation.

A month later, in May 2015, Ian worked with me on a short film ('Cuddling A Monster') for the 'Five Lamps Films: 24 Hour Film Challenge' - our second attempt at the competition. The film won 1st prize and I'm so glad he was there when we picked up the award at the screening, as he was always so generous with his time on set & very supportive of my work (he was one of the first people I showed a rough cut of 'Over' to). His words were already coming true - a month into my 30's and life was slowly looking up!

I never asked why but I guess Ian wanted to work with me on my film projects as he was such a huge film fan. He watched so many films & spoke passionately about all of them - good and bad (he once told me that he'd watch a film every morning at 5/6am before his partner was even awake!)...& he was equally as passionate about the behind-the-scenes details - how a film was made, by who, when, the year it was released and so on.

Alongside his passion for watching films, he was also an avid collector of vintage film cameras - he sought them out at car boot sales or on eBay & really did cherish them - which I found to be a fascinating hobby. So, in the summer of 2012, I started shooting a short documentary about Ian and his vast collection of Cine-Camera's…

The film's completion was delayed for years, as I wanted to shoot a few extra bits so that I could present the documentary in the way that I'd initially envisioned it. Time passed and, for whatever reason, we kept putting it off (we even discussed filming the extras scenes last year). Unfortunately, the moment to capture those scenes has now gone forever...there's a lesson in that.

Interestingly, I'd actually decided that I was going to finish the documentary, with the footage I had, back in January...but then Ian passed and the desire to complete it became even stronger. So, I'm currently adding the finishing touches to the film and I will then release it online (April is my personal deadline). I hope that it will be a wonderful tribute to Ian and his love of film & film cameras. As Ian says in the documentary - "whenever I touch the cameras, I feel like I'm touching the past"…I look at the photos below and I couldn't agree more.

Thanks for everything!

RIP Ian…

Saturday, 25 February 2017

Day 25: Pre-Production Documentary

And we're here - the final day of releasing my back catalogue of work onto my YouTube channel (

After a year long break from filmmaking in 2016 - my name was finally back on a film last month, when One Day Films launched this 15-minute documentary online.

'Pre-Production: A Director's Perspective' is a behind-the-scenes film that highlights an independent filmmaker's (Erik Knudsen) approach to the planning and preparation of a feature film (Cleft Lip, 2017).

The documentary was shot on an iPhone 5s & 7, an iPad Mini, a GoPro Hero4, a Canon 5D MK II & a Leica SL - who says you can't mix footage?

One Day Films: "This is an intimate reflection on the challenges and opportunities by a director committed to independent, micro budget filmmaking." You can follow the progress of 'Cleft Lip' on the One Day Films Facebook page.


Friday, 24 February 2017

Day 24: Wa/onder

Today's YouTube release is Wa/onder a short film made for 'The James Bay Film Project' (2015). The film stars Alex Bedward & Guy Hodgkinson and was shot in the same few days as 'Fly Away', which was released yesterday.

You can read an in-depth post about the making of the film here:

Thursday, 23 February 2017

Day 23: Fly Away

Starring Alex Bedward, this is a second music video featuring the music of Chris Baldwin (following our collaboration on 'Rose'). Shot on location in London in October 2015, using a Canon 5D Mk II, and released on 16th November.

You can read an in-depth post about the making of the video here:

Wednesday, 22 February 2017

Day 22: Over

Of the films that I've made - this is probably my favourite piece of work…

This short film took over 4 years to bring to the screen - I had the idea at some point in 2010 and shot a version of it in the summer of 2011, which, unfortunately, I had to abandon…I was beyond disappointed as it was such a personal project and I really felt that it could have been something special. 

However, the project was resurrected in 2014, when Yoann Moëss contacted me out of the blue saying that he had seen my work, was coming to Manchester for a couple of weeks & wanted to collaborate on something…'Over' wasn't over after all.

So, we shot the film but unfortunately, I then had a number of other projects on the go (such as The Rabbit). Subsequently, the sound design took well over a year to complete. This was frustrating but it had to be right - I'd already waited 3 years, another 12 months was fine by me.

As with all of my 2015 projects, you can read a more in-depth post here:

Over stars Yoann Moëss & Jolene Rathmill (Round In Circles). Released October 16th, 2015.

Tuesday, 21 February 2017

Day 21: The Rabbit

Today's YouTube release is The Rabbit (2015), a short film I directed and produced for One Day Films. You can read an in-depth blog post about the making of the film here:

One Day Films: "A young couple on their way home from visiting one of their parents discover, through a graphic and disturbingly prophetic incident on the road home, that their lives and aspirations have been drifting apart and that the future they thought they might have together is viewed very differently by the two of them. This Mark Duggan film, based on a screenplay by Erik Knudsen, is an evocative short road movie about the painful dissolution of a relationship."

Starring Harris Matthews & Toni Sherwood-Pearce. A One Day Films Production of A Mark Duggan Film. Written by Erik Knudsen. Directed, Shot & Edited by Mark Duggan. Producer Mark Duggan / Executive Producers Erik & Janet Knudsen. 

Monday, 20 February 2017

Day 20: 'The Rabbit' Vlogs (2015)

Today's YouTube release is a trilogy of behind-the-scenes Video Blogs about the making of 'The Rabbit' (short film, 2015), a commission by One Day Films​, who I am currently working with on Cleft Lip (feature film, 2017).
  • Vlog 1: The Writer (Erik Knudsen discusses the origins of his short film script for 'The Rabbit' and why he has invited Mark Duggan on board to direct the project for One Day Films) -
  • Vlog 2: The Director (In this 2nd video blog, shot by Erik Knudsen at his home in Todmorden, Mark Duggan discusses the themes of the short film and the personal nature of the project) -
  • Vlog 3: The End (In the final vlog for 'The Rabbit', Erik Knudsen & Mark Duggan discuss the script, the shoot, the themes, the final product and One Day Films)
The Rabbit will be released tomorrow…

Sunday, 19 February 2017

Day 19: New

Synopsis: Whilst wandering through the streets of Barcelona, a man reflects on the damaging years he spent with a destructive woman and his newfound love for life.

Equipment: This short was shot on an iPhone 5s & I recorded the audio with an iPad, using the RØDE app and a RØDE SMARTLAV Lavalier Mic.

One of the most life-affirming films I've made...You can read a more in-depth post about the making of 'New' here:

"The film of tomorrow appears to me as even more personal than an individual and autobiographical novel, like a confession, or a diary. The young filmmakers will express themselves in the first person and will relate what has happened to them. It may be the story of their first love or their most recent; of their political awakening; the story of a trip, a sickness, their military service, their marriage, their last vacation…and it will be enjoyable because it will be true, and new…The film of tomorrow will not be directed by civil servants of the camera, but by artists for whom shooting a film constitutes a wonderful and thrilling adventure. The film of tomorrow will resemble the person who made it, and the number of spectators will be proportional to the number of friends the director has. The film of tomorrow will be an act of love" - François Truffaut.

Saturday, 18 February 2017

Day 18: Cuddling A Monster

My third & final '24 Hour Film', 'Cuddling A Monster', which was shot for the Five Lamps Films 24-Hour Challenge in May 2015. The film comes in two forms…
  • The 24-Hour, "Festival" Cut, which was awarded 1st Prize by Five Lamps Films (running time: 3 minutes).
  • The Director's Cut, which presents the story in its entirety. This longer cut is far more personal and, undoubtedly, my preferred version of the film (running time: 8 minutes 55 seconds).
You can read an in-depth post about the making of the '24 Hour Cut' here:

& you can read an in-depth post about the making of the 'Director's Cut' here:

Friday, 17 February 2017

Day 17: Bitter End

The music video for Afterdown's track, 'Bitter End'. We shot the whole thing in one evening at Red Wall Studios in Bury. 

A more in-depth post about the making of this video can be found here:

Thursday, 16 February 2017

Day 16: Rose

This music video was shot two years ago today! I can't begin to describe the place I was in, emotionally, when I made this...I remember deciding not to use my monopod, as I wanted the camera image to have a clear shake - a visual expression of how I felt. The effect still unnerves me now. 

A big thank you to Terry Corbett - he shaved his head solely for this project and gave a great performance too. This film wouldn't have happened without his involvement...

A more in-depth post about the making of this film can be found here:

Wednesday, 15 February 2017

Day 15: Turning

Another short that was completed for a time-based filmmaking competition (Part 2 of my '24-Hour Trilogy') - this time it was for the 'Colchester 60-Hour Film Challenge'.

What inspired the story? Well, I had to move into a new flat, in a new town, on the 29th September (the competition ran from 3rd-6th October), as I'd been kicked out of my ex-girlfriend's house. As you can imagine, I wasn't feeling great about relationships and, once you see the film, you'll realise that that's enough of an explanation really. It's an 'expectation vs. reality' setup; a story that is clearly divided into two parts - "the honeymoon/fairy tale period" and the "I'm not happy, I've settled" period. The story is also a clear reflection of who I am - a creative who seeks to make sense of their life through art.

The brief for the competition was emailed to all of the contestants on the Friday evening (3rd October). Each team were given an individual film title, line of dialogue and action…I received the following:

Title: Turning
Line of dialogue: It's free every two weeks
Action: Attempts to juggle apples

Luckily, what I'd be given (just about) fit into the story that I'd thought up. The line of dialogue wasn't ideal (in the end, I asked the actress to make it sound like it was a sexual joke that the couple had between each other) but the title I received was perfect! 'Turning' - which clearly linked to the turning of the camera after each photograph, as well as the literal turning of the couple's towards each other, as well as away.

Filming took place on Saturday 4th - we started just after 11am and we wrapped 12 hours later (the final shot was done at 11.02pm). I must say a huge thank you to Lewis Martin (Cinematography) & Harrison Conner (Sound) who both did an excellent job and enabled me to get the film shot in such a short amount of time.

In terms of a visual approach, the "romantic" scenes were quite loose & handheld, as I wanted the action to feel completely spontaneous. Meanwhile, the second half of the film was mostly shot on a tripod, as I wanted the scenes to feel painfully dull. Also, I wanted to create a continual contrast between the two stories - for example, look at the way the bath is used in the "fantasy" scenes and then in the "reality" scenes…or, compare the first shot of the film with the final shot - they are exactly the same (both show a woman laying on her side), yet they are completely different in terms of what they depict. I think the cinematography works well in this short but you'll have to judge it for yourself.

The editing, colour grading and sound design was done on the Sunday (5th) - which included a last minute request for some music (by Chris Baldwin, who did a great job!)…and the film was online by 8am on Monday (6th).

Probably not what most people will want to see after Valentine's Day. Relationships aren't easy, it's certainly not all roses and bubble baths - they can leave us feeling completely isolated and this film seeks to show that. Much of what appears on screen is based on real-life events, so, needless to say, I heard that my ex wasn't very happy…but I was very happy with what I'd made - I'm proud of this one. Take a look!

Tuesday, 14 February 2017

Day 14: Round In Circles

After completing 'The Longing Trilogy' this was the next project that I started work on (many months before Windowpane had even entered my mind). The idea came about as a result of a thought - wouldn't it be nice to make another £10 trilogy but tell the story from a woman's perspective...

I spoke to Jolene Rathmill about working together again (we'd previously worked together on 'Own Worst Enemy') and met up with her to discuss story ideas. I was keen to incorporate some of her personal experiences into the film - so after our meeting, Jolene went away and jotted down some memories and thoughts, which I then moulded into a narrative that was consistent with my particular style of filmmaking/storytelling, i.e. characters recalling memories from the past, the breakdown of a relationship, as well as universal themes of isolation/loneliness/longing/regret, and so on. 

Shooting began in December 2013 and the final shots were captured on 16th April 2014. For the scenes set in the present day, I decided to predominantly use a 24mm Tamron lens - I wanted the present to seem detached and distorted (& I added a film grain in post-production to make the image slightly grubby and unpleasant). I contrasted these sequences by shooting the memories with a 100mm Soft Focus lens, which gave the shots a unique, intimate and dream-like quality.

The following months were spent completing the edit, colour grade and sound - which had to be intricately designed as there wasn't any dialogue in the film. We never managed to make a trilogy but 'Round In Circles' was released in early September 2014. Enjoy!

Monday, 13 February 2017

Day 13: Windowpane

The first part of what I call my '24-Hour Trilogy' (followed by Turning & Cuddling A Monster), as it was filmed for a time-based filmmaking competition.

I'd wanted to attempt a time-based film competition - i.e. making a film in an allotted time - for quite a while ('Cold Desert' was initially conceived as an idea for one), & decided that Five Lamps Films 24 Hour Film Challenge (May 2014) would be the one I'd try. The premise for their comp is simple - shoot and edit a 3-minute film in under 24 hours.

How did I do it? You can read the full post here - - but to save you time following the link: I started shooting with the actors at 5.20pm on May 10th and the whole film was completed (edited, graded, sound designed & exported) by 9am the following morning (May 11th). That's quite a turnaround! There's one shot that I'm not entirely happy with, which I'd have worked on given more time - but, overall, I'm very happy with this film, both technically and narratively. Thanks to Alex Gilbert for his work on the project (sound recording, sound designing & generally helping out).

'Windowpane' was screened alongside the other 24-hour entries the following week at Quad Cinema (Derby) and I was awarded 3rd Prize…though it was nice to be acknowledged, I really don't make films for awards and accolades (though I'd be lying if I said I wasn't happy when I found out that it had been selected to play in the London Short Film Festival, 2015). The most important thing for me, ultimately, is that I'm proud of the work and I am very proud of 'Windowpane'.

Sunday, 12 February 2017

Day 12: The Eternal Cave

This project took a while to complete…shooting began in February 2012 and wasn't completed until November 2012! And then there was months of post-production work to be done after that - before I type anything else, I'd like to thank Stuart Samuels for his wonderful digital effects work and Ash Tidball for an equally wonderful opening score!

So, in a previous post, I spoke of my desire to make music videos that aimed to be something more than a band thrashing their instruments for 3 minutes. A quote from Francis Ford Coppola about music videos, still springs to mind when I think about this: "This short form [music video], basically commercials for records, is losing energy. Why not have a longer audiovisual piece, not just two minutes, but forty minutes? The sky is the limit for the new cinema"

I wanted to do something quite experimental with this music film (as I'd previously done with You Left Your Heart in the City) - the narrative doesn't really start until over a minute into the film for one thing (I'm probably encouraging people to skip scenes by admitting that).

Thoughts that went through my mind whilst dreaming up the project...
  • Would it not be nice to make something that starts as a short film and then becomes a music video? 
  • Would it not be nice to have a minute long, slowly cut opening sequence…and then completely abandon that pace once the track starts? The contrast would be interesting and unexpected - yet the cutting would still take on the more traditional pacing of a music video.
  • Would it not be interesting to contrast old-fashioned costumes & scenery with modern rock instruments? It is a dream after all...
  • Would it not be interesting to start the film with clichéd, almost cheesy, fairy-tale imagery…and then follow these scenes up with a completely unexpected sequence of a band performing in a huge cave?
  • &, finally, it would be a lot of fun to make a music video that paid homage to one of my favourite films - Pan's Labyrinth (as well as a number of other films - Snow White, The Evil Dead, Rashomon, etc.)?
Unfortunately, I think the experimental nature of the film may have put some viewers off. In fact, I know it has! This film was submitted to a screening night in the North-West. It wasn't selected but there was feedback provided by the four panel members - three of them really liked it ("beautiful locations", "remarkable photography", "extremely well made") and seemed to exclude it simply because of the running-time of their screening night. But one person didn't like it at all… 

"I wasn't a fan of The Eternal Cave's cinematography; the saturated colour felt over-stylised. I'm afraid that I found the location of the video a little bizarre, with a young woman who looks stylistically very old fashioned dressed in a cloak, and the lots of nods to biblical references with the eating of a red apple jarring with the very modern set-up of the band playing contemporary music. To me, this felt like a music video and I'm not entirely sure that was the aim given this is a 7 minute film."

The thing is - everything that person questioned, was done deliberately! I guess some negative reactions are to be expected when you start to play with genre and people's expectations…a 7 ½ minute music video - take a look and see what you think.

Saturday, 11 February 2017

Day 11: Longing (Part 3)

The final part of the £10 Film Series (a.k.a. The Longing Trilogy). This trilogy was a great opportunity to make 3 very different films, all of which followed one character as he longs for the past, a connection, love and his loss of innocence.
  • 'Under The Bridge' - The character is reflecting on everything that he had in the past, as he hopes for a connection in the present.
  • 'Cold Desert' - The character is literally lost. He searches tirelessly through his own mind for the partner who left his side.
  • 'Because' - The character longs for the childhood that he never had: the childhood that was stolen from him.
Because (Film 3) was based on a poem by Terence J Corbett. Subsequently, I've asked him him to write up his thoughts on the project…here's what he had to say:

"This is the 3rd part in "The Longing Trilogy" but perhaps it could’ve have been the 1st - as it would have offered an "explanation" for the characters behaviour in the other 2 films. But I prefer ambiguity and these films reflect that.

“Because” is a poem that I wrote for a booklet, which was created to help men disclose and break the silence of sexual abuse in childhood. It went into prisons - one of the places where a man can end up after holding on to a “dirty secret” that was never theirs to begin with.

Getting sober and clean was the easy bit for me at the time. It's dealing with the shit that has been running around in your head afterwards, without “distractions”, when the real work starts. I was doing a lot of therapy around the time of making this film. Therapy helped, but I found, and still find, that creative outlets (especially film) are where the real answers lie. 

This was the 3rd £10 film me and Mark Duggan made together but it certainly won't be the last. The best tenner I've spent."

Friday, 10 February 2017

Day 10: Longing (Part 2)

Part 2 of the £10 film series…

I wrote this story at some point in 2012 and had a number of the sequences sketched out long before shooting began in January 2013.

Film 2 of 'The Longing Trilogy' is completely different to 'Under The Bridge' in terms of style & approach. Whereas Part 1 is dialogue heavy, Part 2 is completely visual in terms of how the story is told. Film 2 is a lot shorter too - clocking in at 2 minutes 24 seconds (5 minutes shorter than 'Under The Bridge'). You can see my original post about the making of the second part of the trilogy here:

Though perhaps not immediately apparent, due to the dreamy nature of the images and the cuts, this film is highly personal & encapsulates how I felt for long periods in my 20's. Take a look!

Thursday, 9 February 2017

Day 9: Longing (Part 1)

So, it was late October in 2012 and I was eager to start making something new (despite still shooting scenes for The Eternal Cave). Luckily, I bumped into Terry Corbett, whilst with another friend (Lewis Brewster - who has composed music for a number of my films: You Left Your Heart in the CityCuddling A Monster, The Rabbit)…I suggested that we shoot a short film and both of them agreed - probably thinking that I wouldn't pull it together within a week or so (we were filming 5 days later).

Why the rush? Well, I'd been completely inspired by a documentary by Mark Cousins (What Is This Film Called, Love?), which he had shot over 3 days with a flip-camera and a budget of £10. Subsequently, I thought I'd try something similar (my original post about £10 filmmaking can be found here:

I wrote a script based on some personal experiences, such as my real-life friendship with Terry, & set myself some rules for shooting:
  • 1 crew 
  • 1 camera
  • 1 lens
  • 1 evening (all scenes to be completed within a week)
  • & a budget of £10
Before this shoot, it'd had been over two years since I last worked with Terry (on Own Worst Enemy & You Left Your Heart in the City) but we picked up right where we'd left off…and, as a result of another successful collaboration, we decided that we'd turn this film into the first part of a trilogy about his character ('The Longing Trilogy').

Here's Part 1…'Under The Bridge', enjoy!